What is ABAB CDCD Efef GG rhyme scheme called?
sonnet
The sonnet follows the rhyme scheme ABAB CDCD EFEF GG. This rhyme scheme and verse structure are unique to a Shakespearean sonnet. Other common rhyme schemes include: Alternate rhyme.
What does the ABAB rhyme scheme do?
The ABAB rhyme scheme means that for every four lines, the first and third lines will rhyme with each other and the second and fourth lines will also rhyme with each other.
What is Efef?
Abu Dhabi The third European Future Energy Forum (EFEF), an annual conference and exhibition that gathers international business and government leaders, will focus on the challenge to identify key game-changing technologies and practical techniques for implementation, Masdar announced on Thursday.
What rhyme scheme did Shakespeare use?
abab cdcd efef gg
Shakespeare’s sonnets are composed of 14 lines, each written in iambic pentameter and most with the traditional rhyme scheme of the English sonnet: abab cdcd efef gg.
How does the rhyme scheme in Petrarch’s sonnet differ from Shakespeare’s?
Significantly, the couplet was not used by Petrarch in his sonnets. The turn in the Shakespearean sonnet typically occurs around line 12 line and is amplified in the final couplet. The rhyme scheme usually is: A-B-A-B, C-D-C-D, E-F-E-F, and G-G.
What is AABB rhyme scheme example?
Example #2: Twinkle Twinkle Little Star (By Donald Barthelme) The following example uses an AABB rhyme scheme. Here, the first line ends in the word “star,” which rhymes with the final word of the second line, “are.” Since both words rhyme with each other, they are signified with letter “A.”
What is the example of sonnet?
Common Examples of Sonnet “Death be not proud.” —John Donne. “Shall I compare thee to a summer’s day?” —William Shakespeare. “i carry your heart with me(i carry it in / my heart)” —e.e. cummings.
What rhyme scheme do sonnets have?
The English Sonnet The lines follow the rhyme scheme ABAB CDCD EFEF GG. In the English sonnet, the turn typically occurs in the third quatrain, but William Shakespeare broke from this rule by frequently situating the turn in the final couplet of his sonnets.